Our offerings under Rule 506(c) are for accredited investors only.
FOR OUR CURRENT REGULATION A OFFERING, NO SALE MAY BE MADE TO YOU IN THIS OFFERING IF THE AGGREGATE PURCHASE PRICE YOU PAY IS MORE THAN 10% OF THE GREATER OF YOUR ANNUAL INCOME OR NET WORTH. DIFFERENT RULES APPLY TO ACCREDITED INVESTORS AND NON-NATURAL PERSONS. BEFORE MAKING ANY REPRESENTATION THAT YOUR INVESTMENT DOES NOT EXCEED APPLICABLE THRESHOLDS, WE ENCOURAGE YOU TO REVIEW RULE 251(D)(2)(I)(C) OF REGULATION A. FOR GENERAL INFORMATION ON INVESTING, WE ENCOURAGE YOU TO REFER TO WWW.INVESTOR.GOV.

For our anticipated Regulation A offering, until such time that the Offering Statement is qualified by the SEC, no money or consideration is being solicited, and if sent in response prior to qualification, such money will not be accepted. No offer to buy the securities can be accepted and no part of the purchase price can be received until the offering statement is qualified. Any offer may be withdrawn or revoked, without obligation or commitment of any kind, at any time before notice of its acceptance given after the qualification date. A person's indication of interest involves no obligation or commitment of any kind. Our Offering Circular, which is part of the Offering Statement, may be found at https://cardonecapital.com/offering-1

James Barbour interviews James Creswell and Gabriel Munroe

In this Show

James Creswell is a former Resident Artist with LA Opera, with appearances including Daland in The Flying Dutchman, Prince Gremin in Eugene Onegin, Angelotti in Tosca and Basilio in The Barber of Seville. He has appeared with the Welsh National Opera, Teatro Real Madrid, Komische Oper Berlin, Berlin Staatsoper, Frankfurt Opera, Theater an der Wien. Recent and future plans include the title role in a new production of The Flying Dutchman at English National Opera, Kolenaty in The Makropulos Case for Opera North and the Edinburgh Festival, Mephistopheles in Faust for Opera North, Crespel in The Tales of Hoffmann and Pharisee in Adamo’s The Gospel of Mary Magdalene for San Francisco Opera, the King in Aida in Ravinia, and Rocco in Fidelio and Sarastro in The Magic Flute both for ENO.

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